Press

Press

Ténor Rock`n`Roll

Source: 
Paris Match
Author: 
Sacha Reins
Publication Date: 
15 December 2011
La critique le snobe, mais le jeune Italien se voit déja en star de l'opéra. Et rêve même de devenir le nouveau chanteur de Queen! Full full article in French, please click here

Press

BERLINER MORGENPOST

Source: 
Berliner Morgenpost
Author: 
Stefan Anker
Publication Date: 
8 October 2011
Als Tenor ist Vittorio Grigolo auf dem Weg zu einer Weltkarriere, er sang schon an der Mailänder Scala und an der Metropolitan Opera in New York - übertragen auf den Motorsport ist das die Formel 1, und wer weiß, ob der Rennfahrer Grigolo dieses Ziel wirklich erreicht hätte. Full full article in German, please click here

Press

Pitch Perfect

Source: 
Vogue Magazine
Author: 
Caroline Palmer
Publication Date: 
1 October 2011
Since racking up rave reviews as the lovesick Rodolfo in Puccini's sold-out La Bohème at the Metropolitan Opera in New York last year, the darkly handsome, wildly flirtatious Italian-born tenor Vittorio Grogolo has been jetting from New York to sold-out performances in Milan and London, recording a thid solo album (this month's Arrivederci), and preparing to make his highly anticipated West Coast operatic debut in Romeo and Juliet, directed by Plácido Domingo, at the L.A.

Press

CLASSIC VOICE ITALY

Source: 
CLASSIC VOICE ITALY
Author: 
Elvio Giudici
Publication Date: 
1 October 2011
“Not only is Grigolo good at it: he does it in style and is probably the best I have heard…… I am wondering whether he isn't actually our top artist.” Full full article in Italian, please click here

Press

THE TIMES REVIEW

Source: 
THE TIMES
Author: 
Geoff Brown
Publication Date: 
20 September 2011
“Most of my own eyes and ears went with Grigolo, partly because of his sheer energy. This was a rejuvenated Faust whom you could believe in…..but the commitment, strength and vocal mobility that made him last year’s Covent Garden wow in Manon still rang through the house”

Press

September‘s “Style Mag” cover goes to Vittorio

Source: 
Style Magazine
Author: 
Matteo Persivale
Publication Date: 
1 September 2011
"Vittorio takes the cover of September’s “Style Magazine” – the art and fashion supplement of Italy’s leading Newspaper - Corriere della Sera.

Press

Vittorio Grigolo Could Match the Tenor of Our Times

Source: 
USA Today
Author: 
Elysa Gardner
Publication Date: 
15 December 2010

NEW YORK — When the rising opera star Vittorio Grigolo was a child prodigy, a very famous man gave him some sound advice.

"This is what Pavarotti said to me," Grigolo, now 33, says. "'Charisma is something you either have or you don't.' He said that you can learn to sing better, but that sense of energy is something you can't be taught."

Press

Opera News

Source: 
Opera News
Author: 
Fred Cohn
Publication Date: 
2 December 2010

Youthful male passion is the natural element of the Italian tenor hero. He is often a young man possessed by a longing so sincere and intense that it can only be expressed in lyric form. Even the mendacious Duke of Mantua can inhabit this mode; as he courts Gilda, he incarnates the trope of innocent yearning so convincingly that he succeeds in fooling himself. Vittorio Grigolo thrives in this territory.

Press

Opera’s Rising Star: Vittorio Grigolo

Source: 
Vogue.com
Author: 
Caroline Palmer
Publication Date: 
9 November 2010

It is a few hours before the curtain rises on Puccini’s La Bohème now at the Metropolitan Opera in New York, and 33-year-old Vittorio Grigolo, the handsome, increasingly prominent face of international opera can be found resting in a stuffy, decidedly drab dressing room tucked in the basement of Lincoln Center. Making my way through the confounding labyrinth of tunnels before ending up outside his door—assistants are bustling up the corridor, a piano is playing in the distance, somebody is practicing scales, and the air, quite suddenly, smells thickly of an intoxicating cologne.

Press

The State of the Art

Source: 
New York Observer
Author: 
Zachary Woolfe
Publication Date: 
19 October 2010

It's hard to know how to react to opera hype. No one in 2010 wants to buy into a media construction, but when it comes to opera, the relevant media are so predictable and transparent (a major PR coup for a singer consists of some combination of the cover of Opera News and a profile in The Times) that it is very simple to know who is hyped, and more difficult to know whether the hype is unjustified or misleading.

Press

THE CLASSICAL REVIEW

Source: 
THE CLASSICAL REVIEW
Author: 
George Loomis
Publication Date: 
18 October 2010

The Metropolitan Opera has not had a season without La Bohème, since 1997-98, which must give Franco Zeffirelli’s production a status in the opera world not unlike Agatha Christie’s Mousetrap in London theater. Inevitably, casts have had their ups and downs, but last year’s, headed by Anna Netrebko and Piotr Beczala, may well have been the finest the production’s lavish sets have yet accommodated.

Press

Vittorio Grigolo makes promising Met debut, partnering with Maija Kovalevska in 'La Boheme'

Source: 
Associated Press
Author: 
Mike Silverman
Publication Date: 
18 October 2010

NEW YORK, N.Y. — It was a night of debuts — led by the promising young Italian tenor Vittorio Grigolo — as the Metropolitan Opera revived Puccini's "La Boheme" for the first time this season.
But the most accomplished performance Saturday night was turned in by a singer who was new to neither the house nor the production. Maija Kovalevska, a Latvian soprano who made her debut in this opera four years ago, was deeply affecting as Mimi, the Parisian seamstress who falls in love with the poet Rodolfo but is doomed to die of consumption.