"His voice is very powerful, and replete with the full Italian armoury of sobs, portamento, look-at-me rubato and phrase teasing. He easily fulfils the role’s “young and handsome” brief, he brings a lithe finesse to the quieter music, and was impressively agile in ’La donna e mobile’ " Full article

Als Tenor ist Vittorio Grigolo auf dem Weg zu einer Weltkarriere, er sang schon an der Mailänder Scala und an der Metropolitan Opera in New York - übertragen auf den Motorsport ist das die Formel 1, und wer weiß, ob der Rennfahrer Grigolo dieses Ziel wirklich erreicht hätte. Full full article in German, please click here

Since racking up rave reviews as the lovesick Rodolfo in Puccini's sold-out La Bohème at the Metropolitan Opera in New York last year, the darkly handsome, wildly flirtatious Italian-born tenor Vittorio Grogolo has been jetting from New York to sold-out performances in Milan and London, recording a thid solo album (this month's Arrivederci), and preparing to make his highly anticipated West Coast operatic debut in Romeo and Juliet, directed by Plácido Domingo, at the L.A.

"Vittorio takes the cover of September’s “Style Magazine” – the art and fashion supplement of Italy’s leading Newspaper - Corriere della Sera.

It is a few hours before the curtain rises on Puccini’s La Bohème now at the Metropolitan Opera in New York, and 33-year-old Vittorio Grigolo, the handsome, increasingly prominent face of international opera can be found resting in a stuffy, decidedly drab dressing room tucked in the basement of Lincoln Center. Making my way through the confounding labyrinth of tunnels before ending up outside his door—assistants are bustling up the corridor, a piano is playing in the distance, somebody is practicing scales, and the air, quite suddenly, smells thickly of an intoxicating cologne.